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2007”N“xŒ¤‹†‰ïŠˆ“®
ENEOMAP‘S‘̉ï‹c
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“úŽžF9ŒŽ28“úE29“ú
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EWG‰ï‹c
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ŠØ‘“쉈ŠÝWG‘æ1‰ñ‰ï‹cF7ŒŽ22“ú
–k‹ãBWG‘æ1‰ñ‰ï‹cF7ŒŽ22“ú
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EŒiŠÏŒ¤‹†‰ï
‘æ1‰ñŒiŠÏŒ¤‹†‰ïF5ŒŽ17“ú
Ilona Bausch text: Co-present landscapes: M.OfHanlon and L.Frankland in Landscape, Memory and History
‘æ2‰ñŒiŠÏŒ¤‹†‰ïF6ŒŽ14“ú
“àŽRƒ‘ text: G.Nash and C.Chippindale in European Landscape of Rock-Art
‘æ3‰ñŒiŠÏŒ¤‹†‰ïF7ŒŽ12“ú
Kati Lindstrom text: The Study of Changes in Cultural Landscape
‘æ4‰ñŒiŠÏŒ¤‹†‰ïF7ŒŽ26“ú
Carlos Renzo Zeballos Velarde text: The Huacas of Machu Picchu: Inca Station for the Communion Between Humanity and Nature
‘æ5‰ñŒiŠÏŒ¤‹†‰ïF10ŒŽ9“ú
Kati Lindstrom text: Edmunds Bunkse Softy Heaves the Glassy Sea: Naturefs Rhythms in an Era of Displacement
‘æ6‰ñŒiŠÏŒ¤‹†‰ïF12ŒŽ27“ú
Carlos Renzo Zeballos Velarde text: Caroline Humphrey Sacred Arshitecture; Explore and Understand Sacred Spaces
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