ACTIVITIES
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Ÿ 2005”N“xŒ¤‹†‰ïŠˆ“®

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ENEOMAP‘S‘̉ï‹c


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“úŽžF9ŒŽ28“úE29“ú
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‘æ2‰ñ‘S‘̉ï‹c
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EWG‰ï‹c

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–kŠC“¹WG‘æ1‰ñ‰ï‹cF6ŒŽ25“ú
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–k—¤WG‘æ1‰ñ‰ï‹cF7ŒŽ21“ú
ŠØ‘“쉈ŠÝWG‘æ1‰ñ‰ï‹cF7ŒŽ22“ú
–k‹ãBWG‘æ1‰ñ‰ï‹cF7ŒŽ22“ú
ŠØ‘“쉈ŠÝWG‘æ2‰ñ‰ï‹cF11ŒŽ23“ú
–k‹ãBWG‘æ1‰ñ‰ï‹cF11ŒŽ23“ú
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—®‹…WG‘æ2‰ñ‰ï‹cF1ŒŽ13“ú
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’†‘WG‘æ2‰ñ‰ï‹cF2ŒŽ

EŒiŠÏŒ¤‹†‰ï

‘æ1‰ñŒiŠÏŒ¤‹†‰ïF5ŒŽ17“ú
Ilona Bausch text: Co-present landscapes: M.OfHanlon and L.Frankland in Landscape, Memory and History

‘æ2‰ñŒiŠÏŒ¤‹†‰ïF6ŒŽ14“ú
“àŽRƒ‘  text: G.Nash and C.Chippindale in European Landscape of Rock-Art

‘æ3‰ñŒiŠÏŒ¤‹†‰ïF7ŒŽ12“ú
Kati Lindstrom text: The Study of Changes in Cultural Landscape

‘æ4‰ñŒiŠÏŒ¤‹†‰ïF7ŒŽ26“ú
Carlos Renzo Zeballos Velarde text: The Huacas of Machu Picchu: Inca Station for the Communion Between Humanity and Nature

‘æ5‰ñŒiŠÏŒ¤‹†‰ïF10ŒŽ9“ú
Kati Lindstrom text: Edmunds Bunkse Softy Heaves the Glassy Sea: Naturefs Rhythms in an Era of Displacement

‘æ6‰ñŒiŠÏŒ¤‹†‰ïF12ŒŽ27“ú
Carlos Renzo Zeballos Velarde text: Caroline Humphrey Sacred Arshitecture; Explore and Understand Sacred Spaces

EƒCƒmƒVƒV‚ÆŒiŠÏŒ¤‹†‰ï

‘æ1‰ñŒ¤‹†‰ïF11ŒŽ10“ú
‘æ2‰ñŒ¤‹†‰ïF12ŒŽ07“ú@

EŠw‰ïEŽÐ‰ï“™‚É‚¨‚¯‚銈“®“™

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