Abstract:
The past decade has featured a sharp increase in interest in the arts as problem-solver. That is, a growing faith that the arts can ‘do something useful’ in problem spaces as diverse as criminal rehabilitation and climate change. This talk explores the roots of this enthusiasm, the risks associated with it, and some of the theoretical and methodological implications my research has developed in an attempt to reduce those risks while nonetheless not turning our backs on this growing desire for a more engaged relationship between art and society. The aim is to establish a clear, if somewhat paradoxical middle ground: a relationship between art and society that is applied but not instrumentalized, where art remains highly empowered but not autonomous. What is the theoretical framework that helps establish this middle ground? And what are the methodological implications of operating effectively within it?
As a fellow at the University of Toronto’s Munk School for Global Affairs, David co-authored Sustainability in an Imaginary World (Routledge Press, 2020) with mentor and longtime collaborator John Robinson, exploring the relationship between art and sustainability. He is former senior fellow at the Institute for Advanced Studies in Sustainability in Potsdam, Germany, where he led work on culture and climate change. Currently he is the inaugural Innovation Fellow in residence at the Metcalf Foundation where he will explore the role of art in society, with particular focus on innovation, climate change, and cultural policy. David has been a featured speaker at the Canadian Arts Summit (Charlottetown, Banff, Montreal), The International Transdisciplinarity Conference (Leuphana), the National Valuing Nature Conference (Corner Brook), The American Association for the Advancement of Science (Vancouver), Swiss Federal Institute of Technology (Zurich), Sustainability Through Art Conference (Geneva), the Narratives of Transformation conference of the International Association for Analytical Psychology (Berlin/Kyoto), and elsewhere.